Silver Linings Playbook was off my radar for a while. Then, I heard some good things about the film, saw it got nominated for a list of Oscars and other awards, and saw my fiance had an interest in seeing it. This caused Silver Linings to quickly jump up to the top of my Netflix queue. I have to say that I was legitimately looking forward to seeing it. However, once I popped in the film and sat through its two-hour run time, I was sorely disappointed. I honestly can’t even say I liked Silver Linings Playbook – it just really wasn’t good. The only thing I was left thinking about the film about mental illness, romance, and the Philadelphia Eagles was where all the praise came from.
I might as well start with the main redeeming quality of the film – the acting. Jennifer Lawrence and Robert De Niro both give great performances as expected – the surprise is Bradley Cooper who delivers an excellent performance. Cooper and Lawrence play well off each other and some of their back and forth banter is genuinely well acted. The supporting cast also does a great job of enhancing the central characters’ performances. Despite my negative opinion of the film as a whole, one thing I have to give Silver Linings credit for is its high quality acting. Still, while I say the acting is high quality, I want to clarify that I didn’t think it was award-winning – as such I don’t think Lawrence deserved her Academy Award for Best Actress (while I may be biased toward the incredible performance given by the young Quvenzhané Wallis in Beasts of the Southern Wild, I still think other actresses were better than Lawrence last year).
So, sure, Silver Linings has a positive in its acting. Unfortunately, this positive is quickly wasted on poorly designed characters and asinine dialogue. Don’t get me wrong – I know Silver Linings is a film with a heavy theme of mental illness. But, throughout the whole film, it felt like every single character had some kind of mental issues, bouncing unbelievably back and forth between emotions, changing moods multiple times within a scene, and carrying out some very unnatural interactions. This causes the characters, as a collective group, to bring down the film despite the cast doing the best they can with what they are given.
To make matters worse, the dialogue is quite poor. Personally, I’d classify the dialogue into three categories – writing that is genuinely smart, writing that tries to act smart, and writing that almost seems schizophrenic (no pun intended) to the point where all the characters’ lines become a jumbled mess of words that are totally incompatible with each other. The majority of dialogue falls into the latter two categories, while the few scenes that fall into the first are pretty enjoyable.
Outside of the above, the rest of film is generally underwhelming. The central plot feels like nothing more than a clichéd romance drama with a heavy dose of insanity and some obsessive Eagles fanaticism thrown in. The cinematography is not bad, but not great. Even the soundtrack is virtually non-existent for most of the film, and when it does appear, is mainly just licensed songs layered in.
I really expected more out of Silver Linings Playbook. As a multiple award nominee and having received much critical acclaim, I was looking forward to seeing this drama/black comedy. Having seen it now, I can say that I don’t understand the reason for the praise. The film feels shaky and inconsistent in its execution with some poor dialogue and characterization. In the end, Silver Linings has so many flaws that the wonderful acting by the cast cannot save it.
Final Score: 4.6/10
Silver Linings Playbook was a big hit last year among critics and fans alike, but after finally seeing the film for myself, I cannot jump on the bandwagon. The movie’s main plot, focused around mental illness, seems so forced that almost every single character ends up acting like they have some sort of illness. The love story between Cooper and Lawrence gets lost in a flat story line, forced acting, terrible dialogue and just a lack of many qualities that make you connect with a film.